Two of the tracks on this mix are yet-unreleased 12k material…

The Minamo track is a bit of a “world premiere” of the collaboration I did with shuttle358. This bit might be of interest because it’s not 100% finished.. so, it’ll probably never appear again, besides this mix. – Taylor

Taylor Deupree (b. 1971) is a sound artist, graphic designer, and photographer residing in New York. On January 1st, 1997, he founded 12k, a record label that focuses on minimalism and contemporary musical forms. In 12k’s 10 years of existence Deupree has released over 40 CDs by a roster of international sound artists and has developed 12k into one of the most respected experimental electronic labels in the world. In September 2000, Deupree and sound artist Richard Chartier formed LINE, a sublabel of 12k that curates its continuing documentation of compositional and installation work by composers exploring the aesthetics of contemporary and digital minimalism. In January 2002 (as a celebration of 12k’s fifth anniversary) Deupree launched term., an online series of MP3 releases. While 12k’s emphasis lies not only in sound but also on design and presentation, term. exists entirely in the digital domain with no physical object or package. In September, 2003, Deupree started a 3rd record label called Happy to promote unconventional japanese pop. Happy was born from Deupree’s interest in Japanese pop and the fact that it is quite unknown outside of Japan.

Since 1993 Deupree has created critically acclaimed recordings for labels worldwide including Spekk, Plop, Noble (Japan), Ritornell/Mille Plateaux, Raster-Noton, Disko B (Germany), Sub Rosa (Belgium), Fällt (Ireland), Audio.NL (Netherlands), Room40 (Australia), Instinct Records, Caipirinha Music, Plastic City (USA), Dum (Finland), and of course 12k and LINE, among others. In January 1999, Deupree currated a compilation for New York’s Caipirinha Music label that he titled “Microscopic Sound.” This release was among the first to gather together artists of this style and helped put a name to a then-rising genre of electronic music.

His solo works in recent years have explored a fusion of digital sound manipulation with organic and melodic textures that take influences from his interest in architecture, interior design, and photography. Themes of minimalism, stillness, atmosphere, nature, and imperfection prevade throughout his work . An intense passion for recording and studio technology creates a strong technological backdrop for all of his compositions.

Collaboration with other musicians is also a very important aspect of Deupree’s work. Working with other artists is a way to not only create unique works beyond his solo recordings but to also expand his own techniques and processes as a learning experience. Over record years he has collaborated with a wide variety of artists such as Christopher Willits (US, guitar), Kenneth Kirschner (US, Piano), Eisi (Japan, 3-piece acoustic ambient-rock band), Tetsu Inoue (US, sound artist), Frank Bretschneider (Germany, sound artist), and Richard Chartier (US, sound artist). Deupree feels the importance of collaborative work is to not layer two individual styles but to create a 3rd, fusion sound that incorporates the strengths of each collaborator yet sounds like a unique, 3rd identity.

Deupree continues to evolve his sound and approaches each project with a new direction and different process. Continued shifting and sound exploration is vital to his work. He has many recording and remixing accomplishments and a substantial, varied, discography formed over 14 years. His design and photography work has appeared on dozens of projects and record labels around the world and published in a number of books in Japan and the UK.

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