Inner Frost

A short conversation with Enrico Coniglio and Fabio Perletta

Inner Frost is your first collaborative work, could you tell me how this project came about?

Enrico Coniglio: The first time I heard of Fabio was through his work under his Øe moniker. What I found immediately appealing was his love for the “Big North”. That was the spark, the big, imaginary and imaginative, north, even if in this particular case, the cold and icy atmosphere is an “internal” element and not just a climatic factor.

Fabio Perletta: I remember getting to know Enrico back when MySpace was active. We started emailing each other, which eventually led to this collaboration. Our love for the mountains, for the cold and for the massive expanse of snowy landscapes of the North were the elements that contributed to the making of Inner Frost. As Enrico has correctly indicated, the idea at the basis of this work is that the cold is both a psychological and a mental state. I recall long walks through the deep white mountainous landscapes of the Trentino Alto Adige region in the north of Italy, where I first came in touch with the purity of whiteness as a moment of silence. It is our chance to reconcile ourselves with the intelligence of life, an all too rare privilege.

You are both quite active on the Italian experimental and electro-acoustic music scene and you both run labels, Farmacia901, in the case of Fabio and the netlabel Galaverna in the case of Enrico.  Inner Frost, though, is the perfect album for Taalem but it could’ve also suited very well Alessandro Tedeschi’s Glacial Movements, with its marked ambient isolationist feel. Did you deliberately set out to make a “genre” album with Inner Frost?

EC:  Inner Frost is a mini album. Its sound is perfectly in line to Taalem’s first season, and I am thinking of the albums by Netherworld, Oophoi, Marutti, Nimh, and Aidan Baker, amongst others. The idea, on my part, was to produce something within a “glacial ambient” framework and style, without having to necessarily say anything new, just to plunge in a fun way in the post-isolationist stream, which has been revived in recent years by our friend and colleague Alessandro Tedeschi, of the Italian label Glacial Movements. When Taalem’s label head, Jean-Marc Boucher, asked me if I had anything new to release, together with Fabio, we suggested Inner Frost, which he was immediately enthusiastic about.

FP: To be honest, this is a rather instinctive album for me, compared to my previous ones, which are more experimental and conceptual. Øe is a project closely linked to the cold, the solitude of icy landscapes, the cycles of nature, the light, the white and the colours. I was surprised by the recent discovery of a colony of bacteria in a subglacial lake in the Antarctic. I am extremely fascinated by the idea that life can develop even under extreme conditions. It’s the force of life, in which I strongly believe.

The album is composed of two tracks, “Sastrugi/At the Gates of” and “A White Place”, and yet this is not a split album. How did you go about collaborating on the tracks? Did you at any point meet up or was it a question of exchanging files over the net just like so many collaborations nowadays?

EC: This is a collaborative album, a few ideas came from me, while others, were originated by Fabio, and that goes for the titles as well. We exchanged files over the net – as it is customary  – assembling and mixing the tracks, always discussing the process and making the necessary adjustments.

FP: We didn’t physically meet, we just exchanged files.

You both live close to the sea, in your case, Enrico, you literally live in a city built on water, and water is a recurrent feature in your music. The album opens with Sastrugi / At the Gates of, which begins with what sounds like a loop of rolling waves. Could you tell me something about the nature of the organic sounds you used and the way you processed them, assuming you have indeed used organic sounds?

EC: The beginning of Sastrugi is based on recordings of the wind, which I took in a high altitude hut on the Alps, and which I subsequently processed. On top of this come Fabio’s soft drones and everything is mixed, with distortions, reverb and distant bell ringing.

FP: No field recordings on my part. Only synthetic loops processed in real time with a MaxMSP patch I have called “Visioni Interiori” (Inner Visions), as a homage to an exhibition by the great American artist Bill Viola, which took place between October 2008 and January 2009 at the Palazzo delle Esposizioni, in Rome. This turned out to be one of the greatest and more intense experiences of my life, which I still remember vividly after many years. I always try to replicate those same feeling in my loops, as a personal and internal dialogue, which has nonetheless a universal scope.

The album closes with the short looped drones of A White Place, pierced by the plucked strings of a guitar. The overall feel is one of a stripped down track, as if you started off with a wall of sound, which you have gradually peeled away at. Could you give me an idea of your set up in terms of instrumentation and programs you used?

EC: One has to approach the “Big North”, whether imaginary or real as that may be, slowly. With that initial sound I wanted to convey a basic, essential feel, which is then transformed through the clarity of the snow into something playful and full of light. My set up consists of an electric guitar processed through an Eventide effect, field recordings, sampler and laptop.

Is Inner Frost a one off or will there be a second chapter soon to follow?

EC: I don’t really know. This is an album that openly plays around with certain clichés of a very specific musical genre, which I nonetheless continue to listen to and have a lot of time and respect for. Still, I believe we both probably would like to move in a different direction?

FP: I don’t believe so. It’s far removed from the kind of material I am currently concentrating on. Still, it was a great pleasure to create an album such as this together with Enrico.

What are you both currently working on?

EC: 2013 has been a very productive year for me with the release of two important projects I had been working on with great dedication and passion, the first one as My Home, Sinking (with an album out on Fluid Audio) and the second one under the Lemures moniker, a collaborative project with Giovanni Lami, with a 12” vinyl out on Cronica. I have also a further album, characterized by a glacial feel, coming out on the GTerma label together with Gianluigi Gasparetti, aka Oöphoi, who sadly passed away last year, under the moniker Aqua Dorsa. R.I.P. Gigi…

FP: Back in December 2012, I started collaborating with a good friend of mine, the excellent musician Emiliano Romanelli (formerly of TU M’), to whom I owe a lot.

Also, later in the month, I’ll be releasing a new full-length album, “Interstitial Spaces”, which explores the infinitesimally small and the vibrations related to it.

Furthermore, in February, I will be launching a new multimedia project, “Quark: How Does The Invisible Sound?” developed together with Ennio Mazzon, which will see monthly releases by a number of sound artists. For more information please visit the Farmacia901 website.

Inner Frost is available now on Taalem

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