Magical Imaginary Child
Chihei Hatakeyama, Japan’s ambient auteur of all things light and airy, has been fairly busy of late, pouring out sunbeamed sub bass radiation and a host of space pads since 2008. His most acclaimed works probably remain those on the esteemed Hibernate label, concillatorily ‘The River’ for quenching a periodic state of the year’s unease. But by and large, Hatakeyama has pulled in new ears on every new record, and here he’s joined by the very able and revolvently contrasting Farewell Poetry styles of Federico Durand.
Durand I’d like to state is not a member of Farewell Poetry, but this ideology – of mistaken identity, of transcendent stylish mane, blossoms the individuality of both collaborators into a delightfully tranquil hotchpotch. There are also shadows of David Tagg’s ‘Waist Deep Seas Of Milk’ about the whole (some) affair, a lush bathe in absorbent honeydew drones.
The first sound you hear on this lp, Magical Imaginary Child is a careful tone float, a quintessence chord, stapled together with that gentle field recordist touch both artists carve from the bark. The last melody contrariwise creates a sense of essential ascendance.
Instead of wonderfully raggedy, ‘Magical Imaginary Child’ is wilfully astral, applying a sensuous approach to tone and texture. A tone ripples like a bicep of the World’s Supplest Organism competition, Hatakeyama and Durand shaping promising verses that fade with the penny being dropped. Whether that child is imaginary we may know, and whether this music is greatly interesting we may know as well. In magic, never is a truer word spoken; the ultimate paradox, and the ultimate reason for musical adventure.